“ you get to meet in this industry and a few people you get to call genuine friends. Transcending superficiality and creating a more in-depth relationship between himself and his audiences.Īs this pop track with an intense underlying message dwindled and the shock of excitement in the audience from the guest appearances continued, the collaborators hugged onstage before Quinn XCII broke into remarks about MAX as an artist and overall human. The hints of yellow amongst the sea of dark, muted colors in the audience further showed how MAX’s integration of his personal struggle into his music continues to resonate with his audiences and how they continue to feed off of his vulnerability and personability with utter compassion and support. Thank you if you’re wearing yellow - that’s what this whole album is about.” “That’s why everyone is wearing yellow tonight. “I had a surgery where I couldn’t use my voice for four months, and this song being the first thing that I released right after that and you guys giving it love, and you listening to it and you being back with me made me feel so amazing,” MAX said onstage. Immediately following Felly’s guest appearance, MAX introduced singer and Michigan native Quinn XCII outfitted in a yellow baseball cap and Adidas T-shirt to perform arguably one of his biggest hits thus far “Love Me Less.” Proceeding to perform the then-unreleased track “Acid Dreams,” fellow musician and Connecticut native Felly came onstage for this hopelessly romantic and soulful track with elements of groove and funk that was officially released on July 19.
Jackson” into the set, MAX brought his distinguishable sound and new energy to these already anthemic songs. And occasionally amalgamating prominent hip-hop, pop and R&B songs like Ginuwine’s “Pony” and OutKast’s “Ms. Opening the set with DJ Whethan’s 2016 track “Savage” that MAX is featured on, the electrifying waves of bass projected across the club and transmitted an undeniable party-esque atmosphere that the audience resonated with through lyrics being continuously screamed back at MAX.Īs the set continued, each track with its individualized dance-pop sound and underlying elements of rhythm and blues effortlessly translated from his recordings to his dynamic live performance. show during “The Intimate AF” tour on July 1.īefore stepping onstage, the accents of yellow - a color MAX associates with his experience undergoing vocal surgery and returning to music after not being able to speak for four months - from the flowers laying on the instruments to his microphone stand set forth a visually electric precedent.Īlongside band members Benny Brown and Ryan Siegel, also known as RyanEXOE, MAX outfitted in a black and white plaid suit with a yellow button-down peeking through erupted onstage into a set of 14 songs spanning across his LP, EPs, collaborations, remixes and covers - all while full-out dancing, doing cartwheels, interacting with the audience and beautifully executing each note with seemingly no restraints or lack of energy.
Integrating an extensive knowledge of music, dance and acting into his live show, MAX brought hypnotic energy and onstage theatrics unlike many surface-level contemporary pop artists at his headlining L.A.
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Enter MAX - a New York native that knows how to command an audience. debut in 1970, this club nestled on Santa Monica Boulevard in West Hollywood holds an undeniable role in stories like that of the Rocket Man.Īnd artists that transcend the constraints of what thought possible with music and performance in this club builds upon its history.
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